dsh-theme-plugin

dsh-theme-plugin

Chinese traditional colors as a DeepSeek Harness theme pack. 49 anchor colors × light/dark = 98 themes, each writing the full token vocabulary (98 tokens: 89 --dsw-* plus 9 --shiki-token-* syntax slots) and clearing WCAG AA on all 3136 contrast assertions. Twelve of the anchors are marked as a curated shortlist.

📖 中文文档

竹青 · light（素绢） | 朱红 · dark（熟宣） 群青 · light（雪青） | 藤黄 · dark（赭纸） One anchor per paper family, same conversation in each. The most saturated patch on screen is always the color you picked. Install

This pulls the prebuilt bundle from npm — no clone, no build step. The web profile is created on first boot under ~/.dsh/profiles/web. Verify — the browser console logs registered 98/98 themes (49 light / 49 dark), and dsh --profile web --dump-config shows a theme-zhongguo row. Update — run the same add command again. Uninstall — dsh plugin --profile web remove dsh-theme-plugin Usage

Open Settings → Traditional Colors and pick a theme; it applies immediately. Themes also have deep links:

Changing the hash switches themes live. A deep link wins over your remembered pick. The remembered pick lives in localStorage, not in settings.yaml, so it does not follow you across devices. Four ways to find a theme

Browse — opens on all 49 anchors of the current branch, grouped by paper family. Each row's chip is the theme's real paper, veil and focus, so the list previews itself. By working mood — six chips read left to right as one day: 晨起 morning → 天亮 dawn. Pick 凌晨 夜航 and you get the eight dark-and-quiet themes, whatever their color. Search — matches the Chinese name, its pinyin, the seal's name and the mood. Typing lv finds all twelve greens without switching keyboards. Curated only — twelve edited picks covering all four papers and all six moods. Use it when 49 is too many; the panel is themed by the pack, so the dark branch looks like this.

The panel references nothing but --dsw-* tokens, which is why it changes color with your pick and doubles as a preview of whatever you are about to choose. Design: 纸 · 帘 · 印

Chinese painting does not start with color. It prepares the paper, washes over it, and signs last. These themes are built in that order, and the three characters name three layers.

纸 Paper — about 60% of the screen. The ground is not "the traditional color, lightened"; it is a different material. Four families — 素绢 raw silk, 熟宣 sized xuan, 雪青 violet-tinted silk, 赭纸 ochre paper — carry deliberately separated chroma (OKLab ≈ 0.010 / 0.019 / 0.015 / 0.024 respectively), so the four papers are told apart by eye and not only in the data. Light grounds sit at L ≈ 0.963–0.971: off-white rather than white, which is what leaves room for a raised surface above them.

帘 Veil — about 25%. The sidebar and message bubbles are the anchor color itself, undiluted by paper, held inside a band of 1.25–1.55 contrast against the paper so the wash can neither disappear nor harden into a slab. You recognize which traditional color you are in by the bubbles, not by the background.